Nnedi Okorafor was never supposed to be paralyzed. A college track star and budding entomologist, Nnedi’s lifelong battle with scoliosis was just a bump in her plan – something a simple surgery would easily correct.
But when Nnedi wakes from the surgery to find she can’t move her legs, her entire sense of who she is begins to waver. Confined to a hospital bed for months, unusual things begin to happen. Psychedelic bugs crawl her hospital walls; strange dreams visit her nightly. She begins to feel as if she’s turning into a cyborg. Unsure if she’ll ever walk again, Nnedi begins to put these experiences into writing, conjuring up strange, fantastical stories.
What Nnedi discovers during her confinement would prove to be the key to her life as a successful science fiction writer: In science fiction, when something breaks, something greater often emerges from the cracks. While she may be bedridden, instead of stopping her journey Nnedi’s paralysis opens up new windows in her mind, kindles her creativity and ultimately leads her to become more alive than she ever could have imagined.
Nnedi takes the reader on a journey from her hospital bed deep into her memories, from her painful first experiences with racism as a child in Chicago to her powerful visits to her parents’ hometown in Nigeria, where she got her first inkling that science fiction has roots beyond the West. This was not the Africa that Nnedi knew from Western literature – an Africa that she always read was a place left behind. The role of technology in Nigeria opened her eyes to future-looking Africa: cable TV and cell phones in the village, 419 scammers occupying the cybercafés, the small generator connected to her cousin’s desktop computer, everyone quickly adapting to portable tech devices due to unreliable power sources. Nnedi could see that Africa was far from broken, as she’d been taught, and her experience there planted the early seeds of sci-fi – a genre that speculates about technologies, societies, and social issues – from an entirely new lens.